Young Frankenstein Film
Movie Title: Young Frankenstein Production Style: Dale Hennesy Director: Mel Brooks Cinematographer: Gerald Hirschfeld Cosrume Designer: Dorothy Jenkins Color Choices: Shot in 1974, this motion picture was filmed in black and white. Our book notes that shooting in B/W after the invention of color was a decision based upon keeping the audience included with dialog and characters, this motion picture was recorded in B/W simply to stay as near to the initial 1931 Frankenstein as possible.
This movie was the mother of all parodies, directed by the daddy of all parodies, Mel Brooks. In all methods, the movie attempted to stay real to the initial, including the use of 1:85 element ratio and similar movie stock the original. settings: Like the original, the film was set in the dark and bleak town of Transylvanian. The initial Frankenstein was recorded with a setting as a reflection of the character. We knew, or a minimum of thought, the Physician seethed, based upon the gloomy, dark, forboding setting.
Although a comedy, the exact same was used in Young Frankestein. When getting here, Herr Frankenstein finds the castle up on a tall lonely hill with, of course, lightening striking at the suitable time. The town is extremely 18th century, and fog is a constant within the town. The initial setting most likely tried to create an emotional environment as well. Of course, in Young Frankenstein, this emotional environment was merely for impact. Lighting: Low-key lighting was used in this motion picture to replicate the initial, which itself is replicating the 19th century.
This is not the norm for comedy, normally filmed in high-key. Shadows and indirect lighting were used, causing the dark nature of the original. In reality, in just one scene did I remember it being shot in high-key in addition to lack of shadows. This was the scence with Frankenstein’s monster satisfied the young girl with the flower and was seen see-sawing with her in the sunlight. This lighting pointed out 1) the naivety of the kid who did not fear the beast, and 2) the childishness of the Monster, which was lost on grownups.