The function of a tragic hero within a plot is necessary in a dramatic movie or written work. The hero has the requirements of ending up being a terrific character that can take charge of the story through bold action and vibrant dialogue. However, considering that the character is considered a “tragic” hero, his flaws will ultimately be his failure, typically leading to the characters own death.
No place is this suitable of an awful hero more pertinent that in Chinua Achebe’s unique Things Fall Apart. The story is embeded in late nineteenth-century in a small town in Nigeria. The terrible hero in this case is a boy called Okonkwo.
He is a dynamic growing character however is doomed from the beginning of the story with two major flaws that in the end will damage his character. Okonkwo can not physically display any of his emotions since he thinks it is a sure sign of weakness. His 2nd defect is that if and when he does show any feeling, it is an uncontrollable rage. Both of these defects will get Okonkwo into trouble that he can not deal with. Okonkwo has actually been taught from a very young age that showing his emotions is a womanly characteristic, an indication of weak point within his culture.
This is produced because when Okonkwo was a kid his daddy was not very involved with the neighborhood or with the elder counsel. The neighborhood is the most important element of daily life for Okonkwo’s people. The town does not have a centralized government, but it is does have democratic judgment through the older males (Ohadike xxii). Because Okonkwo’s dad slouched and drank too much, he did not get any regard from most of the neighborhood. Okonkwo did not desire this for himself so he always displayed a difficult outside so that he could have respect. This characteristic is clearly revealed throughout the story.
One such example is when Okonkwo ends up being very keen on a boy that remains in his care. Even though he likes the kid, Ikemefuna, he still treated him “as he treated everybody else– with a heavy hand” (Achebe 20). Even to an individual who was considered part of his own household, he might not show the feeling of affection or stylish attention. In addition to not having the ability to reveal any real feelings, Okonkwo has difficulty controlling his mood. His anger and rough treatment of everyone around him, particularly his spouses, once again springs from the fact that his father was segregated from the community.
Also, his short-temper towards his other halves may have been fueled by the truth that women were underneath males within the town’s social ranking. Okonkwo thinks that the only method he can gain the village’s regard is through being strong and strong. It was also very important to reveal strength throughout this time of need due to the fact that there was much modification going on in the neighborhood itself with the coming of the white male and brand-new customs. He must definitely show only anger and strength “when the organizations he had actually fought so difficult to sustain collapse in the face of European colonialism” (Gikandi x).
The most infamous scene of Okonkwo’s illogical anger and lack of respect is when he beats his spouse for not preparing the meal for their kids throughout the Week of Peace (Achebe 21). This is just a single case of Okonkwo beating among his wives, but the village penalizes him more badly because it is during their Week of Peace in which everybody need to be nice and kind to their neighbor. The village was stunned because no one ever breaks the rules of that week. “Even the earliest guys could only keep in mind a couple of other events somewhere in the dim past” (Achebe 22).
Another circumstances where Okonkwo’s disorderly behavior takes control of his actions is when he kills the boy he loved, Ikemefuna. Okonkwo’s clansmen are assaulting the boy, so Ikemefuna runs to seek aid from Okonkwo. However, because Okonkwo “does not wish to look weak in front of his fellow tribesmen, [he] cuts the kid down” (Ward 1). He lets his rage and pride take control of and kills the young boy whom he considered his own son. The qualities of an awful hero are clearly visible within Okonkwo. If his suitables were prevalent in somebody during this day and age in the United States, it would be rather fascinating.
It is almost shocking to state, however someone with those attributes would be really effective in the competitive and fast-pace market of the United States. They might organize their organisation profession along with not giving in pressure due to the absence of physical emotions. Okonkwo’s good manners are instinctual in most people, no matter how primitive or modern-day. Wall Street brokers and fast-talking entrepreneurs can be compared to primitive African guys whose attitudes have actually “been masculine-based even prior to the introduction of the white male” (Mezu 1).
In a nation based on the effective service principles of “just the strong make it through,” there is no doubt Okonkwo might make it far. It can be quickly concluded that Okonkwo’s defects were the leading means of his character’s damage. His absence of feelings and uncontainable anger were definite elements for the wear and tear of his character. However, the meaning in Chinua Achebe’s unique Things Break down would have been lost without Okonkwo as the dominant character. The terrible hero is still and constantly will be the stable character of any deeply meaningful legendary book or movie.