Styles in A Raisin in the Sun
“A Raisin in the Sun,” by Lorraine Hansberry depicts a perfect illustration on how money, social class, and race modification one’s perspective in attaining the American Dream. As it was published in 1959, the story of a bad, inefficient, 1950’s black household, undergo numerous drastic barriers that hold them back from leaving their boring house located in Southside Chicago. The Youngers experience the death of Walter’s dad, yet they acquire a contact a grand amount of money that they hope will wind up changing their lives.
Walter is the “man of the house” and presses through problematic blockages, which in his viewpoints and dreams are impacted by the continuous dilemmas his household has to deal with. Throughout the play, Walter’s step of success is based entirely around money; having none is thought about failure. By the end of his extending journey, Walter lastly discovers the true meaning of family. Early in the play, Walter Younger is perceived to be somebody who dreams unimaginably; purchasing a liquor shop in which he hopes will bring incredible fortune to his household.
Stuck in the ghetto of Southside Chicago, the Youngers inherit an impassive house, little in size, which to them means absolutely nothing. To Walter, life is all about having money. The continuous joy he sees upon others while maintaining the job of a driver brings concepts to make an once in a life time financial investment. MOTHER. Oh-So now it’s life. Money is life. As soon as upon a time liberty utilized to be life-now it’s cash. I guess the world really do change … WALTER. No-it was constantly cash, Mother. We just didn’t learn about it. (Hansberry 74). I In this quick exchange, Walter discusses to Mother how success is based upon money and money alone.
This discussion happens early in the play of Act 1, Scene 2, which exposes the Younger’s social status and financial battles. These two lines demonstrate the differences in between the 2 ages that both Mama and Walter have lived in. In the quote above, Mom is referring to the slavery that happened in her day and age, and how flexibility implied whatever. Early in the play, cash can be observed as Walter’s answer to anything, which he thinks enables people to have a cushion of comfort and not have a worry in sight. In his eyes, having cash is what specifies a man; it measures total success and ability to attend to a household.
For Walter, who feels oppressed as a driver, cash is his only route to freedom. As time passes and more ideas enter your mind, Walter starts to eye his way down on the reward; the check. Walter can be viewed as an idealist who does not take a look at the big image, blowing things out of percentage and not understanding the difficulty to become effective. Coming from bad descent, Walter was not offered much as a kid and presently does not have much to deal with. He has a hard time to hold up his family in their overlooked apartment or condo, while earning a paycheck well below the requirements of the white-folk in his period.
Getting a boost in his pocket, known as “the check”, Walter preaches unrealistically on how their lives are only going to get much better within a breeze of his fingers. “Just tell me where you want to go to school and you’ll go. Just tell me, what it is you wish to be– and you’ll be it. Whatever you wish to be– Yessir! (He holds his arms open for TRAVIS) You just name it, kid(TRAVIS jumps into them) and I hand you the world!” (109) This speech delivered from Walter to his kid Travis in Act 2, Scene 2, closes a vital scene, which foreshadows the climax of the play.
Walter discusses to Travis and the audience that he will not lose whenever to invest the money he was offered. Not believing clearly, he constantly rephrases conversations by rich white guys he observes as a chauffeur, which makes him believe he can be just like them; having a wealthy way of life like the men he services. As one observes more carefully, the language Walter utilizes in his speech is absolutely extinct of conditional discussion, such as words like “if” and “would”; he only discusses the future, presuming it will take place.
This is something Walter requires to be careful about as he gets ahead of himself in his dreams, due to the possible obstructions in the method. Although he prepares his future with extremely brilliant detail, he not only wants a materialistic lifestyle, however a better relationship with his better half. Walter begins to show more indications of evolvement in the later phases of the play as he discusses a compromise with Linder. Walter’s dream for money and product goods continues to remain intrinsic, however he modifies his dream as he grows towards the end of the play.
The character that Walter was in the beginning of the play is incomparable to what he has actually changed into; a practical, sensible guy. As one observes Walter’s priorities in the end, they can see the turning points he has gotten rid of to be the protector of his family. “We have actually chosen to move into our house because my father-my father-he earned it for us brick by brick. We don’t want to make no difficulty for nobody or battle no causes, and we will try to be good neighbors. And that’s all we got to state about that. We do not want your cash” (148 ).
While he practically gives up into accepting Mr. Lindner’s kickback on the house, his household lastly persuades him that they have actually worked too tough to have anybody inform them what they can and can refrain from doing. To put it simply, his dignity, household, and humanity end up being more crucial than the imagine cash. Walter finally puts a foot in the ground and emerges to his full capacity as a guy, realizing that being proud of his household means much more than having money; for Walter, the barriers in the play are an initiation rite.
In Lorraine Hansberry’s play “A Raisin in the Sun,” Walter faces internal conflicts that range from money problems to his individual goals that affect his parenting. During the play, it is clear that Walter wants to alter something about his life to enhance his physical image as a dad and a daily citizen on the street. Money appears to be the prize in Walter’s eyes as he earns really little pay as a driver and wants to have the lifestyle of the white guy. With perseverance and self-respect, Walter lastly comprehends the true significance of household. If Walter hadn’t received the check at all, would he have transformed into “the man of the house? “