Speech on Jealousy in Othello
The Green Eyed Beast. No other beast is as frightening. It fangs go deeper than Dracula’s. Unlike the Monster, its sinister kind haunts you not just during the night, however every hour of the day, every second. But what makes it more frightening, of course, is that it’s genuine. Everyone at some phase comes down with jealousy. Shakespeare’s Othello offers us a look of what 17th Century English society thought about Jealousy as an encouraging force. Excellent afternoon students and instructors.
In 17th Century England, in a society that thought in the devil and of eternal damnation, jealousy is referred to as a sort of demonic animal within Othello. Iago, for example, in his famous personification, calls jealousy the “green-eyed beast, which doth mock/ The meat it feeds upon” and Othello ascribes different demonic features to it: “Even then this forked plague is fated to us/ When we do speed up”. Jealousy was viewed as wicked, and even Satan was described as The Envious man.
It is Emilia who sums up the Elizabethan mindset towards jealousy: “They are never jealous for the cause/But jealous, for they’re envious. It is a monster/ Begot upon itself, born on itself”. The Elizabethans believed that jealousy was something beyond our control, therefore, it was an external motivating force, not the fault of the character. If Satan is The Envious guy, than Iago is the devil on phase. It is eventually the jealousy that consumes Iago which inspires him to exact ‘vengeance’ on Othello and Cassio- however not just this, jealousy is basically Iago’s motivation for living.
Iago is absolutely taken in by a raging torture: he is professionally and socially jealous of Othello and Cassio, he is envious of Othello’s success with Desdemona, he thinks every guy of bed linen his other half: in hardly 10 lines in Act 2 he accuses both Othello and Cassio of “twist my sheets … done my office”. He is even jealous of Cassio’s looks: “He hath a day-to-day charm in his life/That makes me ugly”. He is able to describe the pangs of jealousy strongly, in Act 2 as “like a harmful mineral, nibble my inwards.” and wants to get back at with Othello “spouse for wife”. Without jealousy, Iago would not have any inspiration to live, which corresponds to the Elizabethan representation of jealousy as ‘the dream and desire to acquire’. “I will chop her into messes!” Othello’s exclamation manages the savage jealousy which inspires him to strangle Desdemona in her bed. Othello embodies the numerous various kinds of jealousy the Elizabethans acknowledged.
In Othello’s psychology, Desdemona is his goods, and it is Othello’s possessive sexual jealousy that motivates him to kill Desdemona, for he can not bare any other guy to have what is his. Moreover, it is likewise Othello’s excessive pride as a kind of jealousy that encourages him to eliminate Desdemona instead of be mocked. Jealousy as an encouraging force in Elizabethan society, was a force of lots of forms. It captured the very best and worst of individuals, and in terms of the actions it made individuals perform, the metaphor of a monster is appropriate for the feeling.