Romanticism in Frankenstein

Romanticism in Frankenstein

Week 5 Discussion-romanticism in Frankenstein Miranda Rodriguez Romanticism was an intellectual motion that took hold in Europe throughout the late 18th century. Romanticism was substantiated of a direct opposition to Knowledge views that emphasized factor, science and understanding. The Knowledge had actually progressed as a response to injustice by the church. Throughout the Enlightenment Europeans started to question the laws of the church and state that were deemed biased and unjust. As a result to this injustice Europeans started to seek out understanding and the thinkers of the time were seen as political thinkers and leaders.

In contrast, Romanticism was a movement that opposed political norms that were the foundation of Enlightenment thinking. Romanticism positioned focus on feelings, love, uniqueness and creativity among others. Romanticism touched all elements of art, literature and music during the late 1800s. Numerous writers throughout this time produced works that assist to specify the age of Romanticism by creating characters that were independents with an eager sense of “self-definition and self-awareness” (Brians).

Mary Shelley is thought about one of the terrific novelists of the Romantic period even though she is only credited with composing one novel that falls within the Romantic genre. Mary Shelley wrote Frankenstein: or The Modern Prometheus, in 1818 as part of a writing competition held by Lord Byron in Geneva. It was originally published under a confidential author and Shelley’s name did not appear on the novel till a second edition was launched in 1823. Frankenstein was Shelley’s most well-known work and it is said that the concept for the novel came to Shelley in a dream.

In her dream Shelley observes a scientist piecing together parts of male’s body, just to be frightened in the end by the unnaturalness of his development. Frankenstein is thought about the very first work of science fiction and also a book which contains concepts central to the Romanticist and Gothic movements (www. egs. edu). In Frankenstein, the main lead character Victor Frankenstein is the embodiment of Shelley’s romanticist suitables. Victor’s aspiration is to develop a living, breathing running out the innate products in his lab. Victor repeats his relenting passion for creating an artificial being by stating hat no single person can “develop the range of sensations which bore me onwards, like a hurricane.” This declaration shows that Victor wishes to exceed his human limitations to produce a new life type. Victor Frankenstein is thought about a romantic character due to the fact that he embodies the Romantic suitables of creativity and innovation. He is a dreamer, who is consumed with difficult standards and ideals. In this sense, he embodies Romantic traits of relentless ambition and is for that reason viewed as among the fantastic Romantic characters.

Paradoxically, in Victor’s enthusiastic pursuit of excellence he produces a monster that is the personification of imperfection (Shelley). Other examples of Romantic themes in the unique appear when Shelley integrates vivid descriptions of nature. Throughout the unique, Shelley uses lyrical language to describe the awesomeness of nature which is the background of the story. Shelley’s characters state their inner feelings and these inner sensations typically mimic the state of nature around them.

For example, the barren and icy descriptions of the land in which Walton creates into and where the beast eventually retreats to emphasize the experiences of the monster who battles versus the isolation he feels as a result of his monstrous form. The barren landscape can also mirror the seclusion that Walton need to have felt when he foolishly takes a trip into this cold and foreboding land in the book’s opening scenes. Another example of nature mimicking sensations is the scene in which Victor wakes up with much regret after producing his beast.

He reflects that the morning is “dismal and damp” and he fears encountering the animal around every bend. Shelley keeps this typical theme throughout the unique so that when the lead character is scared or distressed the weather conditions parallel what Victor is feeling or believing (Shelley). With focus on nature and relentless enthusiasm, among numerous other Romantic themes in the novel, Mary Shelley allows her characters to express their deepest desires, even if those desires are viewed as unattainable to the reader.

These elements of detailed nature, along with a myriad of feelings that are revealed by the characters assist to solidify Frankenstein as one of the terrific Romantic novels of its time. Works Cited Brians, Paul. “Romanticism.” Romanticism. Washington State University, 11 Mar. 1998. Web. 10 Feb. 2013. “Mary Shelley– Biography.” Mary Shelley. The European Graduate School, n. d. Web. 10 Feb. 2013 Shelley, Mary Wollstonecraft, and Maurice Hindle. Frankenstein, Or, The Modern Prometheus. London: Penguin, 2003. Print

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