Othello Character Analysis

Othello Character Analysis

Othello Character Analysis Major Characters: Othello: Protagonist and hero. He is a highly valuable and respected general of Venice, and a significant and effective figure. He is nevertheless easy victim to insecurities because of his age, his life as a soldier, and the truth that he is a racial and cultural outsider. He sometimes makes a point of providing himself as such, whether because he acknowledges his unique appeal or simply due to the fact that he is self-conscious of his difference from other Venetians. In spite of his eloquence in the first act, he objects, “Rude am I in my speech,/ And little blessed with the soft expression of peace”.

In the end, it is the stress between his victimization at the hands of a foreign culture and his own determination to torture himself that makes him an awful figure. Nonetheless, Othello is likewise tactful and smart in dealing with authority. When his father-in-law accuses him of bewitching Desdemona, Othello does not argue but rather politely and courteously stands prior to the Duke and shows his marriage is one of love. Nevertheless, he later on permits the hazard of Desdemona’s supposed cheating to drive him to murder her to avenge his own pride.

Shakespeare also intensely contrasts Othello from Iago by making one black and the other white, one unprincipled and the other noble and upright. Iago: Perhaps Shakespeare’s most heinous figure due to the way in which he effortlessly controls those around him to do his bidding by taking advantage of their trust and using his victim’s own inspirations. It is his skill for understanding and manipulating the desires of those around him that makes him both a powerful and compelling figure. Another element of Iago that elevates his evident malevolence is his apparently utter lack of possible motives.

He frequently hints that his prime motivation is bitterness for having actually been passed for promotion. His racist disgust at seeing black Othello and white Desdemona together, and his supreme self-confidence in his capability to damage Othello likewise present potential motives. It is also revealed later on in the play that Iago presumes his other half of infidelity with both Othello and Cassio. Some possible intentions include: 1. Failure to be promoted 2. Racism 3. Jealousy (of Emilia, of Desdemona, or of Othello) 4. Homosexuality 5. Insecurity 6. Supreme intelligence managed by feeling or conscience (sociopathy) 7. Sadism

The biggest issue Iago faces is hiding his malignant, manipulative habits from those who trust him implicitly (to their undoing). His greatest error is his own better half. She withstands him to defend Desdemona’s fidelity to Othello, unraveling Iago’s twisted web of adjustment. He differs from a number of Shakespeare’s villains in that he is left alive at the end of the play, rather than killed at the hands of those he oppressed. Desdemona: “Desdemona” is thought about to be a name for a siren and love icon, the name meaning “ill-fated one”. She is continually mistrusted by those who ought to enjoy and trust her the most.

Well significance, she tries to assist Cassio restore his position however this only makes Othello’s wrath since he sees it as proof that she is having an affair with Cassio. Loving and faithful, she refuses to tell Emilia that Othello killed her in order to safeguard him. She is somewhat naive because she discovers it impossible to think any lady might be unfaithful. Desdemona is often criticized as being a stereotypically submissive character. However, she shows herself to be quite independent and strong when she stands prior to her dad and the court to defend her marital relationship, and later on to protect her partner for her murder.

The way in which she is murdered-smothered by a pillow in a bed covered in her wedding sheets-is symbolic: She is actually suffocated underneath the needs place on defending her fidelity. In the beginning she seems capable of fulfilling those demands, however in the end Othello suppresses the speech that made her seem so powerful. Tragically, she appears familiar with her impending death. She asks Emilia to put her wedding event sheets on the bed, and asks Emilia to bury her in them need to she die. Though slaughtered in innocence, she forgives her husband for his homicidal deed. Minor Characters: Cassio: Othello’s lieutenant.

Cassio is a young and unskilled soldier, whose high position is much resented by Iago. Really committed to Othello, Cassio is extremely ashamed after being linked in an inebriated brawl on Cyprus and losing his place as lieutenant. Iago utilizes Cassio’s youth, great appearances, and relationship with Desdemona to use Othello’s insecurities about Desdemona’s fidelity. He begins as Othello’s buddy and right-hand man, but bad luck expenses him his position. Nevertheless, in the end he outlives Othello and is then put in charge over the captive Iago. Emilia: Emilia is a significant seed in Iago’s failure.

Though presented in less than considerate tones by Iago, Emilia is a relied on good friend of Desdemona. However she is faithful to Iago, giving Desdemona’s handkerchief to Iago instead of back to Desdemona. Emilia’s biggest character development occurs when she states that she would be unfaithful in the ideal circumstances, exposing significantly less naivety than Desdemona who can not believe adulterous people exist. Emilia reveals her true loyalties however by refusing to be dismissed by Iago when she exposes that she offered Iago Desdemona’s handkerchief, a discovery that proves Desdemona was not unfaithful.

For this, Emilia is stabbed by her spouse. Bianca: Bianca plays a limited but significannot role in this play. As Cassio’s neglected girlfriend, she is provided Desdemona’s handkerchief, only later on to return it madly back to Cassio. When a hiding Othello sees that Cassio has it, he takes it as evidence that Desdemona betrayed to him. Bianca is later on implicated in Cassio’s wounding by Iago despite the fact that she is innocent and it was Iago who in the dark stabbed Cassio. Lodovico: Lodovico criticizes Othello for murdering his other half Desdemona and imitating a typical slave instead of the reputable male he once was.

Additionally, Lodovico plays an active role in the discovery procedure of Iago’s treachery by finding a note on the dead Roderigo showing Cassio was to be killed, finding out that Othello killed Desdemona, discovering Othello and Iago’s plot to eliminate Cassio and finally learning the sad story of how Othello’s scarf was utilized to control Othello into thinking his partner betrayed. Accountable by nature, he seizes control of occasions in the last scene, taking Othello’s sword from him after he injuries Iago and later on places Cassio in charge of Iago while he heads abroad to state the sad events that have occurred in Cypress.

This div height required for enabling the sticky sidebar