Othello as a Tragic Hero

Othello as an Awful Hero

Shakespeare utilizes methods, characters, language, structure and type to present Othello as awful hero. He exposes his awful defect, which as a result causes his failure. Othello complies with the Aristotelian concepts of disaster, of the honorable lead character who goes through ceaseless control and sustains suffering, resulting in his supreme downfall due to hamartia. All of these methods combine to supply a various understanding of the lead character, as more of an atypical victim, exposed to the harsh truth of the society he longs to suit, instead of a typical hero.

An awful hero is an individual who at first is well-respected and holds a reverence within society. They are of high moral worth and are extremely enthusiastic in what they set out to attain. A single error or character defect can, nevertheless, bring them to destroy, with a loss of everything that they possess. In the discussion of whether Othello fits the role of a terrible hero, the following principles need to be thought about. Firstly, as befitting a terrible hero, Othello holds a crucial role.

He is well-respected and appreciated by all. Secondly, through a character defect and the included problem of external forces working versus him, he suffers a remarkable fall from grace. He loses all that he held dear- his wife, his status, his position, and the regard held by others of him. The tragic hero meets a force or events which serve to bring this deadly flaw to the surface area. In Hamlet, it is his indecision which comes to the surface area as a result of his mother’s ‘o’er hasty’ remarriage.

It is translated that Othello’s fatal defect remains in truth jealously. But jealousy is not a feeling or state of being that can exist on its own. It requires other things to feed it and n Othello’s case this is insecurity. Othello is in fact set in an extremely racist duration and this does cause him to feel insecure and vulnerable, which renders him more open to Iago’s adjustment. Iago does not hope on Othello’s jealousy, he hopes on his insecurity and uses Othello’s race and colour to place Othello in a bad light.

In Othello, it is the force of Iago’s ruthless adjustment and accusations against Desdemona and Cassio which bring Othello’s gullibility to the surface. Hamartia is an extremely important element of the play and Shakespeare utilizes it to better the audiences understanding of the occasions that are unfolding. Othello is oblivious to the truth that Iago is taking advantage of his fatal flaw of jealousy. “Oh be careful jealousy: it is the green-eyed which doth mock that which satisfy it, eat. The cuckold lies in bliss”.

This quote from Iago shows that he knows Othello more than Othello understands himself, and so, benefits from his individual defect, utilizing it to his own, lethal benefit. Despite Othello’s actions, there is a lesson to be found out and the audience are compelled to preserve some sensation of compassion towards him. The sympathy of the audience towards Othello’s character is mostly due to his absence of understanding of the unforseen evils worldwide around him. These evils are personified by Iago. Othello’s nobility, morals, worths and suitables, all play a part in the unravelling of his character.

Iago who’s equivocal but evil deceptiveness and control of Othello’s emotions provides the audience with a strong-willed however vulnerable character. Othello appears ill-equipped to understand a character such as Iago, and this acquires the audiences compassion. If we are to accept that a terrible hero is one that has the image of valour, nobility and honour, but in weak point can not contain the manipulation of those mannerisms, then in the end we must pertain to the conclusion that he is indeed a tragic hero.

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