Oedipus the King Irony

Oedipus the King Irony

Oedipus the King Paradox is when an outcome of occasions differs to what was anticipated. A famous Greek playwright by the name of Sophocles is very well understood for his use of irony in his play, Oedipus the King. Sophocles develops lots of plot twists in his play by using the concept of how one can not escape their fate. He has the ability to use paradox as a reliable tool in both hindering and advancing Oedipus’ mission in finding the reality. Oedipus the King, by Sophocles, is a Greek tragedy about a king’s terrible fate.

The story focuses on a prophecy that was offered to Laius, Oedipus’ dad, which stated that his kid will murder him and sleep with his partner. Trying to leave fate, Laius hands off his kid to a shepherd in hope that his kid will pass away in the wilderness. However, Oedipus does not pass away and matures to hear the very same prophecy, leading him to leave his adopted moms and dads and venturing off to Thebes. Prior to getting here in Thebes, Oedipus is faced by Laius and out of self-defense Oedipus kills Laius and his males.

In the opening of Oedipus the King, Oedipus is offered the function of seeking out the murderer of Laius by a priest in order to raise Thebes of a pester, “For that reason, O mighty King, we rely on you: find us our safety, find us a treatment,” (Sophocles, 43) Ironically, Oedipus himself was the killer. Not knowing that he was the murderer, Oedipus is led on a wild goose chase to hunt for hints. Unaware of whom Laius’ killer was. Oedipus then looks for help from a blind prophet, Tiresias.

After being told that Oedipus himself was the murderer, he furiously accused Creon and Tiresias of computing to topple him because Oedipus would not accept the reality that he is the reason for the plague. This leads Oedipus to route off from his main focus of finding out the truth to concentrating on keeping his position as king. Another example of where Sophocles utilizes the prediction as an irony was when the messenger from Corinth pertained to inform Oedipus about the death of his dad, Polybus, “I can not state it more plainly: the King is dead. “(3. 47). This was a relief for both Oedipus and Jocasta due to the fact that this would prove the prediction to be incorrect.

Although his daddy died a natural death, Oedipus still fears that the other half of the prophecy would still come true. Ironically, the messenger then breaks it to Oedipus that the king and queen of Corinth were not his natural parents. This only meant that the prophecy was not yet proven to be false since the king and queen weren’t his real parents and leading him back to not knowing who his real parents are. Jocasta tries to encourage Oedipus that the prophecy is false, “Laius was eliminated by marauding strangers where 3 highways satisfy; but his child had actually not been 3 days in this world” (2,190).

She tells him about how the prediction about how her kid becoming the murderer of Laius was incorrect because they handed over their kid over to a shepherd who was expected to leave the child out in the wilderness to pass away. Although Jocasta pleads for Oedipus to stop his search for the truth, he is determined to find out who his real moms and dads are. He ultimately finds the shepherd who witnessed Laius’ murder and concerns him about the truth. Oedipus later on discovers the truth and that he remains in reality the child of Laius and Jocasta and that the prophecy of him killing his daddy and sleeping with his mother was true.

Throughout the whole play, the prediction plays a huge role in creating irony. The prediction is constantly showing Oedipus and the rest of the characters incorrect and essentially stating that they can not manage their own fate. Sophocles does not only include paradox to provide the audience this message however to also assist develop the story in which Oedipus discovers the reality. Kennedy X. J. and Dan Gioia, ed. Knapsack Literature: An Introduction to Fiction, Poetry, Drama, and Writing. 4th ed. Boston: Pearson 2012. Print. Sophocles, “Oedipus the King.” Kennedy and Gioia 711-752

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