Madame Defarge In A Tale of Two Cities

Madame Defarge In A Tale of Two Cities

Madame Therese Defarge When terrible things happen to great individuals there are two courses that can be traveled: forgiveness can be provided, or vengeance can be pursued. Madame Defarge from Charles Dickens’ A Tale of 2 Cities, takes the latter of these 2 choices and religiously lives by it, seeking vengeance on the vicious ruthless upper class pestering France with famine, hardship, and oppression; however, the reasons behind her malice require the reader to comprehend why she performs such hateful acts throughout the Reign of terror.

Madame Defarge Quotes

Madame Defarge, though smart, is taken in by her hatred and has actually transformed into something simply as bad, if not even worse, than the members of the upper class. Madame Defarge will stop at absolutely nothing to see the French nobility suffer and, although she is not really educated, she is exceptionally creative. The plan designed to knit the names of the condemned into the register reveals simply how brilliant this woman in fact is. She sits with her fatal knitting needles in hand seeing all, and she documents everything

in her own stitches and her own symbols, [which] will constantly be as plain to her as the sun”

Dickens, Page 174

Absolutely nothing gets away Madame Defarge’s careful eye, and everything she does guarantees that she gets one step closer to the transformation and her vengeance. She knits relatively unimportant pieces of information into her register and utilizes it versus her opponents to enact her revenge. To outsiders Madame Defarge comes across as the innocent other half of a white wine store keeper, however in truth this extreme revolutionary would not blink an eye before she sawed off the head of an aristocrat. Honestly, if Ms. Pross had not put an end to her personal reign of horror, Madame Defarge would not have ceased until every last aristocrat was gotten rid of.

The source of Madame Defarge’s bitterness towards the nobility comes from her rough youth when the Evremonde bros eliminated her whole household, including her pregnant sibling and peasant bro. Madame Defarge matured alone due to the fact that of the Evremondes, and these psychological scars, in addition to the sights of the third estate suffering from

hardship, nakedness, appetite, thirst, illness, torment, oppression, and disregard of all kinds”, follow her throughout her life

Dickens, Page 273

She witnesses firsthand all of the challenges the French commoners are enduring and it fuels her rage and anger towards the nobility.

Madame Defarge channels all of this anger into exacting her revenge, but we can not help pitying her for her sorrowful childhood. We comprehend the factors behind the insanity, however that does not validate her actions. Numerous people pass away on account of Madame Defarge, but she feels no concern and concerns this loss of human life as a rightful homage to the revolution. Her hatred and desire for revenge has swallowed her whole, and absolutely nothing good is left of Madame Defarge: It was nothing to her, that an innocent guy was to die for the sins of his forefathers; she saw, not him, however them.

Madame Defarge

It was absolutely nothing to her, that his partner was to be made a widow and his child an orphan; that was inadequate penalty, since they were her natural enemies and her prey, and as such had no right to live. Her requirement to see her opponents damaged is so strong that it overrides any other emotion that Madame Defarge might have left, and it leaves her “absolutely without pity”. She can not see the beast she has actually become due to the fact that she is so focused on immolating every last aristocrat or enemy of the republic.

France might have suffered from hardship, hunger, and injustice at the hands of the nobles, however slaughtering them is simply as bad, if not worse. The deadly flaw that Madame Defarge has is that she takes her revenge too far. As soon as Charles’ uncle, the Marquis, was stabbed and killed, she ought to have been satisfied that her family’s deaths were avenged. Rather that is inadequate, and she mentions,

tell Wind and Fire where to stop … but do not tell me”

Dickens, Page 346

She has a personal vendetta against Lucie and need to see her die.

This eventually results in Madame Defarge’s death when her weapon fires and unintentionally shoots her in the struggle against Ms. Pross while she is desperately seeking to frame Lucie for regreting over the death of her lost hubby. Madame Defarge is so consumed with the idea that

the Evremonde people are to be eradicated, and the wife and kid need to follow the husband and dad”

Dickens, Page 364

that she ends up being just as bad as the upper class. She wholeheartedly thinks that Little Lucie, Lucie and Charles’ 6 year old kid, should be guillotined simply for belonging of their family.

The hypocrisy is that the only factor Madame Defarge made it through the Evremonde bros mess up of her family was because her older bro concealed her away so they could not maltreat her just for being a part of it; however, now Madame Defarge is doing the same thing to Little Lucie. She is attempting to eliminate the innocent kid for something completely out of her control. She has developed into a barbarian and is simply as bad as the Evremondes. Madame Defarge is ruthless and unstoppable, and by the end of the unique she is entrusted no caring feelings.

She has been devoured by the transformation and her malevolence towards the aristocracy and nobility. She lets her fixation with revenge overwhelm her: she becomes simply as dreadful as the people she is trying to topple. We can see why she would be so cruel because of the deaths of her family, however that does not offer her the right to eliminate everybody she considers opponents of the republic- innocent or guilty. Madame Defarge’s actions are inhumane and unjustified, and she is equally as evil as the nobility. Works Cited Dickens, Charles. A Tale of 2 Cities. New York City: Bantam Dell A Department of Random Home, Inc., 2003. Print. Douglas

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