Comparing Edward Scissorhands and Frankenstein
Compare the way in which the 2 movies Frankenstein and Edward Scissor Hands represent stories of the misconstrued outcast in society. The 1930’s black and white movie Frankenstein by James Whale and 1994’s movie Edward Scissor Hands by Tim Burton are two motion pictures about a misconstrued production that is seen as a castaway and almost shunned by the community. In this essay I will be comparing the 2 movies on the castaway, context, design and method. The monster in James Whale’s production of Frankenstein is misunderstood and viewed as a castaway.
A scene that highlights this is where the beast is in the windmill and the villagers are burning it and setting it on fire. You can tell that the community doesn’t see the beast as one of their own because if they did they probably would have treated him a bit more fairly. However in this case they simply grab their torches and hunt him down like some animal. Another scene where the monster is illustrated as a castaway is when he is chained up in Frankenstein’s dungeon. He is treated like a criminal and locked to a wall with just a small window of light.
Generally all this is telling the creature that he is no good for freedom or for life and all due to the fact that individuals didn’t understand him and judged him to be scary and unsafe. The story in the movie Edward Scissor Hands is actually very similar to Frankenstein’s. It’s everything about a creation that clashes into a world that judges him and misconstrues him. The line in the film, “Can I bring him to Show and Tell on Monday?” Instantly provides the fact that people consider Edward as an object or something to jeer at and do not give him the regard of a typical individual.
Another quote’s “Freak!” So simply put is saying that he isn’t normal he’s not one of us which actually translates into castaway. Between the 1930’s and the 1990’s a great deal of changes occurred, particularly in the movie market. From Frankenstein’s dark, black and white scary to Edward Scissor Hands bright and colourful suburbs, it was a major distinction in both colour and landscapes. Considering that Frankenstein was shot in the 1930’s camera angles and dialogue would have been really different to the 1990’s film
Edward Scissor Hands, an example of this is that in Frankenstein the monster hardly said a word, nevertheless in Edward Scissor Hands the production might talk, stroll, think and experience feelings. There are lots of other things that highlight the different timespan from which the films were produced, however I will discuss them a bit later on in the essay. The style in which the 2 motion pictures Frankenstein and Edward Scissor Hands were recorded are entirely various. For instance in Frankenstein it is primarily scary where as in Edward Scissor Hands it is more funny and curiosity.
Another example on the different designs of filming is that in the film Frankenstein the manufacturer James Whale followed a code called the Hays Code. This code states a number of things that aren’t allowed to be in films, e. g. violence, nudity or mocking of religious beliefs. However in Edward Scissor Hands there are battling scenes and different scenes where the neighbours are making fun of Esmeralda and her beliefs. The strategies of the two movies Frankenstein and Edward Scissorhands are extremely various in a number of ways.
One example is colour; in Frankenstein it’s all black and white where as in Edward Scissorhands there are lots of brilliant, pastel colours. Camera angle is another technique that is used differently in between the 2 movies. For example in Frankenstein, considering that it was filmed decades before Edward Scissorhands there were more older video camera strategies utilized like the defined close ups on faces. In Edward Scissorhands nevertheless there were more contemporary methods in camera angles, such as when Jim falls out the window there is a cam view looking down like you were standing there yourself.
So to sum it up Frankenstein had older strategies than Edward Scissorhands more modern-day strategies. In conclusion the 1930’s movie Frankenstein by James Whale and the 1994’s movie Edward Scissorhands by Tim Burton both tell the story of 2 misunderstood castaways that never seemed to suit society. Although the context, style and methods of the 2 films were different they both shared the very same meaning. To not judge people based on appearances or a passing glimpse, but to be familiar with the person first and you never ever understand, they may just shock you.