As Dagny enters Richard Halley’s valley home in the cool calm of the night, she is enveloped with music that strikes her as a “sign of moral pride” (717) This pride is not developed on what the heart feels is valuable, however on what the mind understands to be of value. Richard Halley is a music author, he is an artist, and yet he comprehends that “all work is imaginative work if done by a believing man”( 933 ). He approaches his art with the very same ethical productiveness as a business owner.
The act of playing his music and of Dagny experiencing it is “mutual trade for mutual revenue” (717 ). Halley however explains to Dagny that when he bets general audiences in the outdoors world, there is no mutual trade for his music: “I do not care to be appreciated causelessly, emotionally, intuitively, instinctively– or blindly.”( 717) Halley’s work has normally been evaluated by unthinking guys, who themselves know and produce very little and yet, Halley regrets, it’s these extremely people who assess a man of the mind. The reason Halley had to leave the outside world and take his work with him is in essence why every member of John’s Gulch concerns live inside the valley.
For Halley, his art is a testimony of his “capacity to see,” and his ruthless “devotion to the pursuit of fact.”( 718) Spontaneous invocations, platitudes and daydreaming can not exist for the truth looking for artist, just through the tiresome and “relentless pressure upon one’s power of clarity” can the business owner and artist reach the top of their mind potential.
Halley pursues his developments to their rational and fantastic end, however “the nature of the looter”( 682) is to deny this procedure – the procedure of mental evolution, of determining that which is real, sticking with it and supporting the idea into idea. Dagny wonders why Halley doesn’t share his music genius with the world anymore however Halley discusses plainly that the common public believed they owned his talent and these “worshippers of zero”( 937) might not fully understand the totality of his work. Just when they were prepared to welcome his work, were Halley’s efforts considered successful. In result, he had been providing his mind, and the mastered item of his mind, away totally free, to people who had neither the rigour to understand it, nor the capability to exchange anything of substantial value.
Those without an understanding of real value can not bestow their own ideas of worth on a development, so the only thing they can do is to damage it and debase it in accordance with their own decrepit soul. Galt proposes the concept to Halley that his “work is the function of [his] life”( 934 ), in so much as what he does is an external exhalation of who he is: work is the branch, body the vessel of the vital force and both are rooted in the capability of the mind to seek the light of its own maturity and development. Everyone who finds the valley approaches their work and life with the exact same “mathematical accuracy” (719) – their capability relies on the logical calculation of their mind and their body is the reinforced impact of their mind. They are really powerful in their efforts due to the fact that of their unrelenting desire to look for that which is reasonable, to be “the male not only of self-made wealth, however … of self-made soul.”( 934 )
It is because of Halley’s “intransigent devotion to the pursuit of reality”( 718) he discusses to Dagny, that he ignored the “life haters” and declined to permit their damage of his highest moral code.
His curiosity and appetite for the reality, his desire to facilitate the expansion of his whole-self as a shining example of human achievement is how he hopes to develop “his world in his own image” (725 ). It is in this mental acceptance of the real nature of the looters that Galt discovers him. Each character who resides in Galt’s Gulch had to discover for themselves what they constantly understood inside: “Compromise might be correct only for those who have nothing to compromise” (942) Halley, like the others declined to sacrifice himself for looters who stood for nothing. Not being able to sustain their own unreasonable presence, they leached off the production of “guys of capability”.
There is no “loophole in the law of causality”( 935) Whether your work is painting, architecture, engineering or running a company, the magnitude of your thinking and the level of your mind’s measurements dictate your effectiveness in any endeavour: “capability is quality and capability is quantitive.” If you value that which is anti life, then you are immobilized in rotted decay of weakness. Why are Halley and the others lastly happy when they sign up with John in the valley? It is because now they are really complimentary to have their work “without charge or guilt”( 935 ).
Halley tells Dagny that he created the “Concerto Deliverance” for John. Galt assisted him specify what none had previously handled to: the creed that was inside them all. Galt helped them to uncover the fact– something that he had actually combated himself to earn. Thus Halley’s “Concerto Deliverance”( 683) is finally the trade for trade value he has been searching for.
Ayn Rand is able to remarkably depict man’s motivation to leave the world of the innovative dead. In the end, Dagny also joins them in the valley due to the fact that she too realises that “the ethical sign of regard for humans, is the trader”( 935 ).
Works Pointed out
Rand, Ayn. Atlas Shrugged: 50th Anniversary Edition. New York. 1996. Print