A Tale of Two Cities Symbolism

A Tale of Two Cities Significance

An example of meaning AND imagery is the damaged wine cask. As dickens explains the scene beyond Defarge’s wine shop and all the scrambled individuals, he is able to develop a symbol of cravings. I believe this appetite is not just the peasant’s starvation, but likewise metaphorically for political flexibilities. For example, the story directly associates the white wine with blood, keeping in mind that some of the peasants have obtained “a tigerish smear about the mouth” and representing an intoxicated figure scrawling the word “blood” on the wall with a wine-dipped finger.

As he shows such a strong sign, the imagery is what makes the readers seem like they are really in the book. The way he describes the setting is horrifying, yet intriguing, which is one of many methods he makes the sign stand apart. “The white wine was red white wine, and had stained the ground of the narrow street in the suburb of Saint Antoine, in Paris, where it was spilled. It had stained numerous hands, too, and many faces, and many naked feet, and numerous wood shoes.

The hands of the man who sawed the wood, left red marks on the billets; and the forehead of the female who nursed her baby, was stained with the stain of the old rag she wound about her head again. Those who had actually been greedy with the staves of the cask, had obtained a tigerish smear about the mouth; and one tall joker so besmirched, his head more out of a long squalid bag of a night-cap than in it, scrawled upon a wall with his finger dipped in muddy wine-lees– blood.” (Dickens, 29-30) Since of dickens usage of personification, it assists readers really get a feel for the book.

For example, the principle of appetite is described in Chapter 5, as staring down from the chimneys of the poor and rattling its dry bones. “Cravings. It was prevailed all over. Appetite was pushed out of the tall house, in the sorrowful clothing that hung upon poles and lines; hunger was patched into them with straw and rag and wood and paper. Hunger was repeated in every fragment of the little degree of firewood that man sawed off; appetite began down from the smokeless chimneys and started up from the unclean street that had no official, amongst its refuse, of anything to eat.” (Dickens, 32)

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