A Tale of 2 Cities: Minor Characters
A Tale of Two Cities: Functions of Minor Characters Every story in the history of literature has one or more characters that are not as considerable as other characters. Although these characters aren’t as crucial, they serve to advance the plot or are symbolically essential. There are certainly various representations of these characters in A Tale of 2 Cities, by Charles Dickens. 2 examples are Lucie Manette Darnay and Miss Pross. Both of these flat characters are necessary in the advancement of the story. Lucie Manette Darnay played a crucial and symbolic role in the novel.
Dickens explained her as “the golden thread” of the unique, weaving its great throughout the plot. Together with her excellent nature, she was likewise young and appealing. Dickens explained her as having:? a brief, small, pretty figure, an amount of golden hair, and a pair of blue eyes? and a forehead with a particular capability? of lifting and knitting itself into an expression that was not quite among perplexity, or wonder, or alarm, or merely of a brilliant set attention, though it included all the 4 expressions. (Dickens 17)
Dickens produced Lucie to be a perfect instead of a real woman. She represented all that is excellent in humanity? innocence, generosity, faith, and hope? and she functioned as a touchstone for other characters to find those qualities within themselves. Lucie is a caring and devoted partner to Charles Darnay. After Darnay’s death sentence she informs him: We shall not be separated long. I feel that this will break my heart by-and-by; however I will do my responsibility while I can, and when I leave her, God will raise up friends for her, as He provided for me. 272) Lucie is certainly a symbol for great and righteousness. She is “the golden thread” that binds the other characters together. She is secured by Miss Pross, committed to her daddy, Physician Manette, enjoyed by Sydney Container, a friend of Mr. Truck, and was married to Charles Darnay. Another small character significant to the story is Madame Defarge. Defarge is the antithesis of Lucie. Defarge’s entire household died when she was a young girl. She possesses a severe revenge towards the people who killed them.
She condemned not just the people that did it, however also the entire Evremonde family line to which the murderers were from. She would inscribe the names into her knitting registry of individuals she doomed to death. Her drive to attain retribution drove her to devote horrible acts. Her wicked mind set is exemplified in the following:” When the time comes, let loose a tiger and a devil; however await the time with the tiger and the devil chained? not shown, yet always all set. (Dickens 165)
Her hatred and sense of vengeance have actually stimulated evil ideas and actions in Defarge. Symbolically, Madame Defarge represents the intensity and bloodthirst behind the Transformation. Her views of the ideal course of the Transformation are exposed in a discussion in between her, her husband, and the Jacques Three:? It is true what Madame says,’ observed Jacques 3.? Why stop? There is excellent force in that. Why stop?’? Well, well,’ reasoned Defarge,? but one need to stop someplace. After all, the question is still where?’? At extermination,’ stated Madame. (317 )
Her relentless drive for vengeance makes her strong, but it ultimately ruins her since she is not able to understand the powerful love that gives Carton the strength to die for Darnay, and Miss Pross the courage to beat her. In conclusion, small characters are consisted of in the story for a reason. Each character has a purpose, large or little, that is symbolic or advances the plot. Lucie and Defarge, although opposites in character, played equivalent parts in their satisfaction of the story. Dickens knew that for every single good there must be wicked, for each light there must be dark, and for each Lucie Manette Darnay there must be a Madame Defarge.