A Tale of Two Cities Analytical Paper

A Tale of 2 Cities Analytical Paper

In the engaging story A Tale of Two Cities, Dickens provides social commentary in regards to the era of the French Revolution such as the changing status of ladies. He shows his viewpoint of this matter through the archetypical classifications of the leading female roles in specific, Lucie Manette, Miss Pross, and Madame Defarge– which are portrayed as strong and audacious although in apparently contrasting ways. Representative of the “peaceful and shrewd monster” archetype is Madame Defarge– whose strength is more brute and powerful sustained by hatred– yet still heightens the unique by revealing a less traditional, delicate representation of women.

Her malice is very obvious when speaking of her viewpoint that “extermination is an excellent teaching” and Dr. Manette who is “not the face of a real friend of the Republic” should be performed (311 ). Her strength and ruthlessness is a result of her detestation of French aristocracy and those seemingly versus the republic due to her need for revenge. In addition to this, Dickens’ representation of Madame Defarge’s unrivaled bravery is because “not a voice, or a hand, or an eye was raised …

Amongst the males, not one” whereas she “who stood knitting looked up gradually” at the Marquis (100 ). This marks the significance of Madame Defarge in the novel because she is the embodiment of valiancy even stronger than that of a guy. Moreover, when Lucie remarks that” [they] are more afraid of [Madame Defarge] than these others” she took it as a compliment (244 ). This exemplifies much more that she is sinister and is virtually taking the fear as an indication of admiration.

Her total strong and bold character adds to the book’s significance. Miss Pross, who is the loyal buddy along with another withstanding female role in A Tale of Two Cities, enhances the novel since she embodies the ability to risk everything for what she thinks in. During the fight in between Miss Pross and Madame Defarge, Miss Pross in order to defend Lucie “with the energetic persistence of love, always much more powerful than hate” grabbed Madame Defarge and “even raised her from the floor in the battle that they had” (338 ).

This reveals that although Miss Pross was never wed and isn’t the ideal lovely female, she is the most admirable and her compassion and love, which is no match for Defarge’s pure hatred, is transcribed into bravery. Not to mention “beneath the surface area of her eccentricity, one of those unselfish animals” which are “found just among females” and select to “bind themselves willing servants … for pure love and adoration” (87 ).

Miss Pross has the strength to raise someone else’s kid without complaint and support her as her own; her actions of bravery exclusively out of love. Lucie Manette, who fits the mom archetype, boosts the book due to her bravery and strength in contrast to her beauty and womanhood. Upon Lucie’s dad’s release from prison, she prompts “to leave [them] here” since of “how composed he has ended up being” and that they can not “be afraid to leave him with [her] now” (Dickens 42).

Although she has actually just satisfied her daddy and knows little to nothing about his mental health, she wants to be with him and she wants to take a chance which declares her caring yet bold demeanor. Her next big act of valor was when she stood up to Madame Defarge and pled “to have pity on [her] and not exercise power that [Defarge] possesses versus [her] innocent partner” and implores “think about [her] … As a spouse and mother” (245 ). The love that Lucie has for her household in addition to the dauntlessness she possesses compelled her to confront her worry of Madame Defarge.

The strength and heroism of “the mom”, womanly Lucie Manette, eventually sends an effective message and improves the general story. The function of these evident archetypes discovered within the main female characters within A Tale of 2 Cities is for Dickens to communicate particular commentary on the status of women thus intensifying the unique as a whole. He renders Lucie Manette (the mom), Miss Pross (the buddy), and Madame Defarge (quiet and shrewd beast) as strong characters in a variety various methods.

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